a. Create a mood board in representation of the production design;
b. Coordinate all aspects of preparation for a shooting day;
c. Create a shot list and manage the shooting in accordance with it;
d. Create a floor plan and represent each and guide the crew in accordance with it;
e. Plan the shots and angels for each and every scene.
f. Manage the cast and block them on set to achieve the maximum effect for the scene in question.

a. Identify the necessary elements to create the necessary mood as indicated in the screenplay and in accordance with the art team;
b. Consolidate the basic filming techniques from every aspect;
c. Define the most important steps in planning and executing a shooting day;
d. Explain the difference between the various shots and angles and their diverse uses;
e. Recall the necessary steps to have an efficent shoot and in accordance to daily shooting plans.

a. Prepare a floor plan according to the location;
b. Design a mood board;
c. Prepare a shot list;
d. Draft a shooting script according to the screenplay and the shotlist;
e. Demonstrate a clear understandig of the differenti camera angles and shots;
f. Apply the different filming techniques acquired in the shooting of a scene;
g. Analyse the differenti shots and angles used in a particular scene from a movie.

This module will be assessed through: Presentation, Assignment.

Core Reading List:
1. Fabe M. (2014), Closely Watched Films. An Introduction to the Art of Narrative Film Technique. (10th
edition). California: California University Press
2. Brown B. (2022), Cinematography: Theory and Practice
3. For Cinematographers and Directors (4th edition). Routeledge.
4. Katz S. (1991), Film Directing Shot by Shot: Visualizing from Concept to Screen (Michael Wiese
Productions). Focal Press / Michael Wiese
5. Mercado G. (2010), The Filmmaker’s Eye: Learning (and Breaking) the Rules of Cinematic
Composition. Routeledge.
6. Ascher S. (2007), The Filmmaker’s Handbook: A Comprehensive Guide for the Digital Age. Plume.

Supplementary Reading List:
1. Mamet D. (1992), On Directing Film, Penguin.
2. Rabiger M. (2013), Directing: Film Techniques and Aesthetics 5th edition). Routeledge.
3. Cantine J. (2000), Shot By Shot: Practical Guide to Filmmaking, Pittsburgh Filmmakers.
4. Kenworthy C. (2012), Master Shots Vol 1, 2nd Edition: 100 Advanced Camera Techniques to Get an
Expensive Look on Your Low-Budget Movie, Michael Wiese Productions
5. Mascelli J.V. (1998), Five C’s of Cinematography: Motion Picture Filming Techniques, Silman-James
Press (US)
6. Weston J. (1999), Directing Actors: Creating Memorable Performances for Film and Television,
Michael Wiese Productions.