BENG104
Romantic Poetry

ECTS Value: 4 ECTS

Contact Hours: 20

Self Study Hours: 48

Assessment Hours: 32

 

Overall Objectives and Outcomes

This module explores the defining ideas and themes of British Romanticism, focusing on the contributions of both the first and second generations of Romantic poets. Key topics include the Romantic response to neo-Classicism, the influence of Rousseau’s philosophy and the French Revolution and evolving notions of the ‘natural’ man. The module examines the Romantic poets’ concerns with the connection between humanity and nature, the emphasis on unrestrained imagination and the concept of natural supernaturalism.

Expanding on these themes, students will also consider Romantic Hellenism and the dynamics of literary influence. The social, political and philosophical contexts of the time will serve as a backdrop for understanding the Romantic movement and its impact on poetic form and content.

Amongst the poets covered there will be William Blake, William Wordsworth, Samuel Taylor Coleridge, Percy Bysshe Shelley, Lord Byron and John Keats.

By the end of this module, the learner will be able to:

Competences

  • a)Differentiate between key concepts and themes of British Romanticism, including the Romantic responses to neo-Classicism, the ‘natural’ man, and the role of imagination;
  • b)Critically distinguish the influence of social, political and philosophical ideas on Romantic poetry;
  • c)Critically evaluate the contributions of first and second-generation Romantic poets and their approaches to themes such as nature, supernaturalism and literary influence;
  • d)Critically discuss the impact of Romanticism on European literature, highlighting shifts in poetic form and content.
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Knowledge

  • a)Develop knowledge of foundational Romantic works and themes by key figures such as William Blake, William Wordsworth and Samuel Taylor Coleridge, particularly their views on nature, imagination and social critique;
  • b)Comprehend the philosophical and literary foundations of the Romantic movement, including its responses to the French Revolution, and exploring how these ideas evolved through the works of the second-generation poets like Percy Bysshe Shelley, Lord Byron and John Keats;
  • c)Identify major concepts within Romanticism, such as natural supernaturalism, Romantic Hellenism, and the role of the ‘natural’ man, as represented in both British and European Romantic literature;
  • d)Explore the changing depictions of human experience and the individual’s relationship to nature and society in Romantic poetry and applying these interpretations to the social and political context of the Romantic period;
  • e)Analyse how Romantic poetry contributed to later debates on representation, cultural identity, and the shaping of the literary canon;
  • f)Acquire a critical awareness of the influence of Romantic poetry on literary forms, considering how themes of personal freedom, emotional expression and rebellion against social norms shaped the trajectory of modern literature.
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Skills

  • a)Discuss key themes of British Romanticism, such as the emphasis on imagination, nature and individualism, in an open and critical manner;
  • b)Critically comment in an objective manner  on the Romantic movement’s challenge to neo-Classical norms and its influence on evolving literary styles and themes;
  • c)Critically appreciate the diverse perspectives of Romantic poets on the relationship between humanity and nature, as well as their critiques of contemporary social and political structures;
  • d)Construct analytical arguments that interpret Romantic themes, philosophical ideas, and poetic techniques using close textual analysis.
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Assessment Methods

This module will be assessed through: Assignment

Suggested Readings

Core Reading List

  1. William Blake, Songs of Innocence and of Experience
  2. William Wordsworth, Lyrical Ballads, ‘The Prelude’, ‘The Immortality Ode’
  3. Samuel T. Coleridge, ‘Dejection: An Ode’, ‘This Lime-Tree Bower my Prison’, ‘Kubla Khan’
  4. Percy Bysshe Shelley, ‘Ozymandias’, ‘Adonais’, ‘The Triumph of Life’
  5. Lord Byron: ‘She Walks in Beauty’, ‘Darkness’
  6. John Keats: ‘Lamia’, ‘Ode to a Nightingale’, ‘Ode on a Grecian Urn’, ‘To Autumn’

Supplementary Reading List

  1. Chandler, J. & McLane M.N. (2008), The Cambridge Companion to British Romantic Poetry, Cambridge University Press
  2. Mahoney, C. (ed.) (2011), A Companion to Romantic Poetry Wiley-Blackwell
  3. Meihuizen, N. (2024) Daemons in the Poetry of Blake, Shelley and Keats: Beyond the Human Cambridge Scholars Publishing,
  4. Miller, C. R. (2006) The Invention of Evening: Perception and Time in Romantic Poetry, Cambridge University Press
  5. Roe, N.(ed.) (2006), Romanticism: An Oxford Guide. Oxford University Press;
  6. Stafford, F. (2012), Reading Romantic Poetry Wiley-Blackwell

 

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